May 24, 2018 He also uses Auto-Tune Pro and Auto Key to correct the pitch of some vocals. Learn about the Retune Speed, Flex-Tune, Humanize, and the Natural Tremolo effects. Try/Buy - https://goo.gl/KekmhW. Apr 13, 2020 GSnap: Getting Autotune for Audacity. GSnap (from GVST) is a plugin that enables the auto-tune effect. It is free to download and install in your Audacity. It can be used to correct your pitch and create a robotic voice effect. Here are the steps to follow if you want to get a free autotune for Audacity. Mar 18, 2010 This is a short clip on how to set up the pitch correct software in Cubase 5 to sound like the autune t-pain style setting. And also shows you how to control the vocals with MIDI.
Have you tried recording your song in Audacity, but it is off-tune? Don’t worry! We’ll give you a solution to that, and that is the Aucaity autotune, which is a device that corrects an out-of-tune or off-key vocal presentation. It is created by Antares Audio Technologies in 1997. Usually, music producers use this in a digital audio workstation like Audacity software for live performances.
The official plugin for auto-tuning comes at a very expensive price. However, there are many available programs that can be an alternative to the Autotune for Audacity. One of them is a plugin called GSnap.
You can download it for free, install in your Audacity and fine-tune your live vocal performance. It helps expand the Audacity’s functionality through vocal pitch correction. There are also many plugins available for Audacity that you can download for free. Autotune runs in Audacity for Windows, Audacity for Mac, and Audacity for Linux.
Contents
- 3 Try the Auto-tune Effect
How Does Auto-tune Works?
Singers are prone to negative feedback coming from their listeners. They need to give their best and perfect production numbers to satisfy their audience. But there are instances that they need the help of devices to hide their mistakes or to avoid making mistakes. That’s why they lip-sync the song and auto-tune their prerecorded music.
Actually, it is not only the singers and the music producers who use auto-tune. More often, ordinary people who made music as part of their lives are using it. But how do auto-tune works?
When a person sings and the key is off (out-of-tune), auto-tune shifts the pitch to the nearest correct tone. It can also distort the human voice so that the out-of-tune part (especially the highest and lowest pitches) is not obvious in the whole performance.
GSnap: Getting Autotune for Audacity
GSnap (from GVST) is a plugin that enables the auto-tune effect. It is free to download and install in your Audacity. It can be used to correct your pitch and create a robotic voice effect.
Here are the steps to follow if you want to get a free autotune for Audacity. Make sure you do every step to avoid any issue.
Step 1. On your browser, go to Google and find GVST – GSnap. When you open the website, you can see the information about GVST.
Step 2. Go to Downloads, it is located on the upper part of the web page. Click that and it will redirect you to the Download page.
Step 3. Once it opened, you will see lots of plugins for effects. Find the GSnap which is the plugin for autotune. Go ahead and click that, the download page will open.
Step 4. There are two options for GSnap plugin, the 32- and 64- bit. The download is compatible with your device. Or you can also use the download buttons prepared below. Note that this is for Windows only. There is a separate link for Mac OS and Linux. Wait for a few seconds to complete the download.
Step 5. Open the download folder on your computer and find the GSnap. After that, extract all the files.
Step 6. Look for the .dll file, and paste it to the plugin directory for Audacity. Just go to the Program Files on your computer and find the folder for Audacity. Go to the sub-folder for plugins and then paste the copied file. The plugin will be added to your effects.
Try the Auto-tune Effect
Step 7. Open your Audacity and record your audio or import a prerecorded sound to auto-tune. Select the part of the audio you want to correct and click the Effect Menu. Look for the GVST GSnap plugin and the commands for adjustment will appear.
How To Use Auto Tune For Pitch Correction Video
Step 8. Configure the settings and turn your audio into a nice vocal presentation. You can rearrange or fix the vocal presentation into a better sound that you want to produce.
Note: For Mac and Linux users, you can follow the same steps except for downloading. When you click Downloads on the website you can see on the bottom part of the page the download link for Mac and Linux. Click the “porting.project.page” and this will open the download page. Choose your platform and download the plugin.
Conclusion
Now, there’s no need to perfect your voice to create a great vocal presentation. Get GSnap for free, and make your recordings sound like professional.
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What I find most fascinating about Antares Auto-Tune is that everyone and their mother knows what it is, despite the fact that it's just another digital audio plugin used in bedroom and professional studios alike. Even people who have no clue what an EQ or compressor does somehow at least know of the word 'Auto-Tune' and even the general effect it has on the human voice.
But even though Auto-Tune has evolved to become this cultural phenomenon, very few artists or producers truly understand how to get it to sound like the way it sounds on major records.
In case you don't know what it is, Auto-Tune, in a nutshell, is a pitch correction software that allows the user to set the key signature of the song so that the pitch of the incoming signal will be corrected to the closest note in that key (and does so in real time). There are other pitch correction programs out there that do similar functions: Waves Tune, Waves Tune Real-Time, and Melodyne (which is pitch correction, but not in real time), but Auto-Tune seems to have won the standard for real-time pitch correction.
Auto-Tune traditionally is used on vocals, although in some cases can be used on certain instruments. For the sake of this article we will be discussing Auto-Tune and its effect on the human voice. Listen to this early example from the 'King of Auto-Tune,' the one artist who did more to popularize its effect than any other, T-Pain.
Working as a full-time engineer here at Studio 11 in Chicago, we deal with Auto-Tune on a daily basis. Whether it's people requesting that we put it on their voice, something we do naturally to correct pitch, or even for a specific creative effect. It's just a part of our arsenal that we use everyday, so over the years we have really gotten to know the ins and outs of the program—from its benefits to limitations.
Auto Tune And Pitch Correction
So let's delve further into what this software really is and can do, and in the process debunk certain myths around what the public or people who are new to Auto-Tune may think. If you were ever wondering why your Auto-Tune at home doesn't sound like the Auto-Tune you hear from your favorite artists, this is the article for you.
To set the record straight, as I do get asked this a lot of times from clients and inquiring home producers, there really are no different 'types' of Auto-Tune. Antares makes many different versions of Auto-Tune—Auto-Tune EFX, Auto-Tune Live, and Auto-Tune Pro—that have various options and different interfaces, but any of those can give you the effect you're after. Auto-Tune Pro does have a lot of cool features and updates, but you don't need 'Pro' to sound pro.
I wanted to debunk this first, as some people come to me asking about the 'the Lil Durk Auto-Tune,' or perhaps that classic 'T-Pain Auto-Tune.' That effect is made from the same plugin—the outcome of the sound that you hear depends on how you set the settings within the program and the pitch of the incoming signal.
So if your Auto-Tune at home sounds different from what you hear on the radio, it's because of these factors, not because they have a magic version of Auto-Tune that works better than yours at home. You can achieve the exact same results.
In modern music Auto-Tune is really used with two different intentions. The first is to use it as a tool in a transparent manner, to correct someone's pitch. In this situation, the artist doesn't want to hear the effect work, they just want to hit the right notes. The second intent is to use it as an audible effect for the robotic vocals you can now hear all over the pop and rap charts.
But regardless of the intent, in order for Auto-Tune to sound its best, there are three main things that need to be set correctly.
The correct key of the song. This is the most important part of the process and honestly where most people fail. Bedroom producers, and even some engineers at professional studios who might lack certain music theory fundamentals, have all fallen into the trap of setting Auto-Tune in the wrong key. If a song is in C major, it will not work in D major, E major, etc.—though it will work in C major's relative minor, A minor. No other key will work correctly. It helps to educate yourself a bit about music theory, and how to find the key of a song.
The input type. You have the option to choose from Bass Instrument, Instrument, Low Male, Alto/Tenor, and Soprano. Bass Instrument and Instrument are, of course, for instruments, so ignore them if you're going for a vocal effect. Low Male would be selected if the singer is singing in a very low octave (think Barry White). Alto/Tenor will be for the most common vocal ranges, and soprano is for very high-pitched vocalists. Setting the input type correctly helps Auto-Tune narrow down which octaves it will focus on—and you'll get a more accurate result.
Retune speed. This knob, while important, is really all dependent on the pitch of the input source, which I will discuss next. Generally speaking, the higher the knob, the faster it will tune each note. A lower speed will have the effect be a bit more relaxed, letting some natural vibrato through without affecting a vocalist's pitch as quickly. Some view it as a 'amount of Auto-Tune knob,' which isn't technically true. The amount of correction you hear is based off the original pitch, but you will hear more effects of the Auto-Tune the faster it's set.
So let's say you have all of these set correctly. You have the right key, you choose the right range for the singer, and the retune speed is at its medium default of 20ms. You apply it on the singer expecting it to come out just like the pros. And while their voice does seem to be somewhat corrected, it's still not quite corrected to the right pitch.
Here's why your Auto-Tune doesn't sound like the pros:
The pitch of the vocalist prior to Auto-Tune processing must be close enough to a note in the scale of the key of the song for Auto-Tune to work its best. In other words, the singer has to be at least near the right note for it to sound pleasing to the ears.
Whether you're going for a natural correction or the T-Pain warble, this point still stands. If the note the singer originally sings is nowhere near the correct note in the key, Auto-Tune will try to calculate as best it can and round up or down, depending on what note is closest. And that's when you get undesirable artifacts and hear notes you weren't expecting to hear. (Here is an example of how it sounds when the incoming pitch isn't close enough to the scale, resulting in an oddly corrected pitch.)
So if you put Auto-Tune on a voice and some areas sound good, some sound too robotic and a bit off, those are the areas that the singer needs to work on. Sometimes it can be difficult for non-singers to hear slight sharp or flat notes, or notes that aren't in the scale of the song, so Auto-Tune in many cases can actually help point out the problem areas.
This is why major artists who use Auto-Tune sound really good, because chances are they can sing pretty well before Auto-Tune is even applied. The Weeknd is a great example of this—he is obviously a very talented singer that has no problem hitting notes—and yet his go-to mixer, Illangelo, has said before that he always uses at least a little bit of Auto-Tune on the vocals.
If you or the singer in your studio is no Weeknd, you can correct the pitch manually beforehand with a program like Melodyne, or even with built-in pitch correction tools in your DAW, where you can actually go in and change the pitch of each syllable manually. So if you find yourself in a situation where you or an artist you are working with really want Auto-Tune on their vocals, but it's not sounding right after following all the steps, look into correcting the pitch before you run it through Auto-Tune.
If you get the notes closer to the scale, you'll find the tuning of Auto-Tune to be much more pleasing to the ears. For good reason, T-Pain is brought up a lot when discussing Auto-Tune. Do you want to know why he sounds so good? It's not a special Auto-Tune they are using, its because he can really sing without it. Check it out:
Hopefully this helps further assist you in your understanding and use of Antares Auto-Tune, and debunk some of the myths around it. Spend some time learning some basic music theory to help train the ear to identity keys of songs, find which notes are flat and which notes are sharp. Once you do, you'll find you'll want to use Auto-Tune on every song, because let's face it—nearly a decade after Jay-Z declared the death of Auto-Tune on 'D.O.A.'—it still sounds cool.
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