EastWest/Quantum Leap RA provides composers with access to a variety of rare and unique instruments from Africa, Europe, India, the Americas and Australia, the Far East, and the Middle East and Turkish Empires. Musicians will find that RA has an amazing sound quality and they'll marvel at the articulation of each instrument which has a wide range that goes from controlled to expressive. All of the instruments and ensembles featured in the collection were sampled extensively as a means of preserving the true character and expression of each instrument. For the first time, users will have more control over the sounds offered in the collection along with the ability to load even more instruments than ever before.
Apr 27, 2016 Bagpipe VST? I'm working on a Metal Song and would like to use a Bagpipe at the beginnning. I know that sounds weird, but.LOL If you know of a good one (and especially FREE) it would be very helpful.
With the combination of EastWest/Quantum Leap Ra, Gypsy and Silk collections you have the most detailed and expressive ethnic instruments ever produced.
'With ethnic instruments, the key to authenticity of sound is expression,' says EastWest/Quantum Leap Producer Nick Phoenix. 'Now with the incorporation of our advanced PLAY sample engine, with its built-in sensing technology that monitors a player's style and adjusts the software and sounds accordingly, users will experience a level of detail that was lacking in other products in the market, making their projects come to life with range and emotion.'
In addition to PLAY's intuitive custom interface, EastWest/Quantum Leap RA - PLAY Edition includes many other features, such as:
- 64-bit (for 32-bit compatibility, please use PLAY 4)
- Intelligent performance section including portamento, repetition, legato
- Features round robin reset
- Offers improved articulation window and controls
- State-of-the-art convolution reverb with pre-delay
- Improved micro-tuning
- Improved sound quality with high-resolution audio engine
- Hi-fidelity one pole filter for natural cross-fades
- Stereo image editing is now possible using channel sourcing
- The instruments featured in the PLAY Editions are newly-programmed for PLAY from the original recordings
THE MAGIC WAND OF DYNAMICS PROCESSORS
Based on a studio favorite, TRANSIENT MASTER is a must-have dynamics effect — uniquely powerful, deceptively simple and extremely useful. It’s the go-to tool for positioning drums and percussion, letting you mix from front to back and dial-in just the right amount of space.
Must-have dynamics effect. Enhance attack, control mix presence, fix problem recordings the secret spice in your mix.
- * Bring sounds from the back of the mix to the front
- * Enhance attack on drums and percussion
- * Fix muddy recordings, or reduce reverb
TRANSIENT MASTER is also a mix-fix for problematic recordings and with only three knobs — Attack, Sustain and Gain — it’s quick and easy to use. Shape your sound, and make TRANSIENT MASTER the secret spice in your mix.
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TRANSIENT MASTER runs as a stand-alone plug-in within your host software.
FOR DRUMS AND PERCUSSION
TRANSIENT MASTER can make radical changes to a sound, or just add subtleties. Fine-tune both Attack and Sustain to get exactly the right sound for your beats.
Raise the Attack for assertive kicks and crisp snares, or apply TRANSIENT MASTER to the whole drum group for added punch and definition. Reduce Attack to calm things down — on a hissing hi-hat, for example. The sound becomes less aggressive, and blends further back into the overall mix.
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‘Sustain’ controls room sound and space. Make snares ring out or add depth to the whole drum group by raising Sustain. Reduce Sustain to tighten things up or kill long reverb tails.
FOR GUITARS AND OTHER INSTRUMENTS
TRANSIENT MASTER is great on any instrument with intrinsic attack. If a guitar track has too much pick sound, apply TRANSIENT MASTER and reduce the Attack. To liven things up, raise the Attack — the additional bite at the onset of each note adds presence.
Use ‘Sustain’ to correct room sound on recordings. For a giutar track with muddy reverb, apply TRANSIENT MASTER and lower the Sustain to choke the reverb. Add subtle Attack, and your guitar is now crisp, lively, and sitting at the front of your mix.
TRANSIENT MASTER can even put life back into pre-processed, over-compressed tracks. When nothing else works, TRANSIENT MASTER can provide an instant mix-fix at the turn of a dial.
FOR MIXING
TRANSIENT MASTER is indispensible for mixing drums, guitars, pianos, plucked strings — anything with intrinsic attack. It gives you another axis to work on. As well as panning left and right, you can position things quite precisely at the front or back of a mix without juggling volume levels.
Generally, more Attack and less Sustain brings a sound to the front; less Attack and more Sustain blends a sound into the background. Even before EQ, you can effectively ‘stack’ sounds according to the priorities of a particular mix.
HOW IT WORKS
Transients are non-tonal material at the onset of a sound. The Attack control emphasizes or de-emphasizes transients, making a sound more or less lively without affecting the overall level. The Sustain control cuts or lengthens the sustain part of a sound.
TRANSIENT MASTER effectively re-shapes the envelope, affecting the sound at its source. Engineers agree that this ‘re-shaping’ delivers particularly natural and musical results — and it’s quick and easy to get there, thanks to the simple, three-knob design. Try TRANSIENT MASTER, and you’ll wonder how you ever managed without it.